RUINED
With this production of Ruined I would like to shine a light on the constantly shifting alliances and tragic absurdity that marks the ongoing war in the Democratic Republic of the Congo. I would like to tell the story of Mama Nadi and the women that are working for her at her place place. Mama Nadi, the ambitious owner of a Bar/ brothel that serves everything from a cold beer and a warm meal to the company of a woman. Through Mama Nadi we meet the women who work for her and the businessmen, peddlers, government soldiers, rebel fighters and miners who frequent her spot. In this portrait of a place and the people that inhabit it, I will give a window into a country that has suffered immeasurable losses since the beginning of a war that has raged there for more than a decade. Even though men are fighting the war; women are the most frequent target of this war. Sophie, a smart young woman who was destined for a university education until she was captured by soldiers, brutalized and left for dead. The title of the play, Ruined, is a terrible euphemism for what happened to Sophie—and what happens to Congolese women every day. Salima, another young woman brutally raped by soldiers for months; returned home only to be disowned by her husband and family. Sadly, this happens to rape survivors throughout the Congo. Mama Nadi, Sophie and Salima; all survivors who refuse to let themselves be destroyed by the brutality around them. It is this spirit of survival and dignity that gives a sense of hope.
Theatrical Space
I think a revolving stage like this one would give the audience the feel that they are seeing into two different spaces in the bar.
For my productions of ruined, I choose the Houston Texas Arena Theater. The arena theater is one of
the oldest venues in Houston.
Its round revolving stage allows audience members a degree of intimacy with the performers unavailable in a traditional arrangement. The Arena recently received a substantial facelift Upgrades, include new sound and lighting systems. This venue revolving stage will allow the audience to focus on each scene; without other distractions. I think it would give the feeling that you are moving through each space in the bar.
Scenic Design
The design for my production would have the look of bar or brothel in DRC. The look of the set would have shabby walls and shutters; sub par tables and chairs around the room. The other spaces within the bar would have to have the grim look of desperation.
Costume Design
The people in this picture are wearing a mixture of traditional clothing and modern clothing. this is the look i would like to have for this production. i think it would bring a natural feel to the production.
The costume design for this production has to have a mix of traditional African attire and modern attire. This design give a real element to each of the characters in the show. I don't think that everyone is wearing African clothing. Their is a mixture of clothing brought in by suppliers and humanitarian aid.
Lighting Design
Set & Lighting Design - "The Country Girl", Beer Sheva Theatre
The lighting in my show would look something like the picture above. I think this type of lighting would put the most focus on the performance. this lighting would be great for giving the feeling of each of the characters in the space. i think it can give the feel of what the space around the performer is like, if their having a sad or happy conversation or in heated situations.
Sound Design
Sound design for this production, would that of the bar and whats going on outside of the bar. i think inside sounds would be that of a small music player of some kind, a low sound of people talking( not so much that it would take attention from the performance), gunfire and trucks coming from the outside. These sounds really set the mood for what is going on in that region of the world.
SOURCES
http://www.precinctreporter.com/community/inland-empire/1607-ruined-war-a-redemption-in-congo
http://www.usatoday.com/news/world/2010-08-23-Congo-rape_N.htm
http://www.usatoday.com/news/world/2010-08-23-Congo-rape_N.htm
The world of theater Mira Felner and Claudia Orenstein
John,
ReplyDeleteWell done. I also liked your research on the Arena in Houston. The missing component here was, why Houston? What about a Houston audience serves the experience of this play?
Your design descriptions are nice, but I would love for you to tie it back to your unified vision and goals of the production more.
Thanks so much for your work on this John and happy holidays.